A blog about art in the classical tradition

Josefa d'Obidos (Portuguese, 1630-1684) Adoracão dos Pastores OR Adoration of the Shepherds (1669) Oil on canvas. Museum of Ancient Art, Lisbon. (Detail)

Josefa d'Obidos (Portuguese, 1630-1684) Adoracão dos Pastores OR Adoration of the Shepherds (1669) Oil on canvas. Museum of Ancient Art, Lisbon. (Detail)

With only 36 hours in Lisbon, there was little time to explore Portugal’s capital.  I wanted to visit the city’s most well-known art museum. So, when I asked a cab driver to take me to the Museum of Fine Art, I was taken to the Museu Nacional de Arte Antiga. (Roughly translated as the “National Museum of Ancient Art,” the term “ancient” in Portuguese does not have exactly the same meaning in English, which would imply anything from pre-historic to, perhaps, the birth of Christ.)

Unknown Portuguese sculptor. Saint Gabriel (c. 1675) Polychrome statue. Museum of Ancient Art, Lisbon.

Unknown Portuguese sculptor. Saint Gabriel (c. 1675) Polychrome statue. Museum of Ancient Art, Lisbon.

The Museum’s collection represents works from the Middle Ages to the mid-nineteenth century. While it is not the only museum of fine art or  necessarily the best, it was where I was taken. And, I am forever grateful to the cabbie who took me there.

Hieronymus Bosch (Flemish, 1450-1516) Triptych of the Temptations of St. Anthony Abbot with the Betrayal of Christ and the Way to Calvary (c. 1500) Oil on panel. Museum of Ancient Art, Lisbon.

Hieronymus Bosch (Flemish, 1450-1516) Triptych of the Temptations of St. Anthony Abbot with the Betrayal of Christ and the Way to Calvary (c. 1500) Oil on panel. Museum of Ancient Art, Lisbon.

Not surprisingly, the preponderance of the collection corresponds to the period when Portugal was among the world’s superpowers. It is dominated by masters from the fifteen to seventeenth centuries, when Portugal was made rich discovering and trading with much of the world.

Antonio Pereda y Salgado (Portuguese, 1608-1678) Still life with vegetables and kitchen utensils (1651) Oil on canvas. Museum of Ancient Art, Lisbon. (Detail)

Antonio Pereda y Salgado (Portuguese, 1608-1678) Still life with vegetables and kitchen utensils (1651) Oil on canvas. Museum of Ancient Art, Lisbon. (Detail)

Many of us can name Spanish artists from the same period (e.g. Velázquez, El Greco). But, even though the Portuguese shared the Iberian Peninsula, their artists do not have anywhere near the same esteem or recognition.

Clemente Sanchez (Portuguese, Seventeenth Century) Sao Sebastião or Saint Sebastian (c. 1620) Oil on canvas. Museum of Ancient Art, Lisbon.

Clemente Sanchez (Portuguese, Seventeenth Century) Sao Sebastião or Saint Sebastian (c. 1620) Oil on canvas. Museum of Ancient Art, Lisbon.

Clemente Sanchez (Portuguese, Seventeenth Century) Sao Sebastião or Saint Sebastian (c. 1620) Oil on canvas. Museum of Ancient Art, Lisbon. (Detail)

Clemente Sanchez (Portuguese, Seventeenth Century) Sao Sebastião or Saint Sebastian (c. 1620) Oil on canvas. Museum of Ancient Art, Lisbon. (Detail)

For example, the artist Clemente Sanchez (Portuguese, Seventeenth Century) demonstrates a remarkable level of training, on par with any artists of the period. Yet, I am unable to find his biography or any work by him online. In Saint Sebastian (c. 1620), Sanchez shows a remarkable arsenal of skills; and, more importantly, represents a different approach that combines both the naturalism of Velázquez and the classical ideal of Poussin, who were both working at the same time. If his work truly represents a unique, Portuguese approach to art, it is worth publishing to a wide audience.

Pieter Brueghel, The Younger (Flemish, a. 1564-1637) Acts of Mercy (c. 1625) Oil on panel. Museum of Ancient Art, Lisbon.

Pieter Brueghel, The Younger (Flemish, a. 1564-1637) Acts of Mercy (c. 1625) Oil on panel. Museum of Ancient Art, Lisbon.

In addition to showcasing regional talent, the Museum features works that cannot be seen any where else by well-known, canonical Flemish, Dutch, Spanish, and Italian artists. The Portuguese were obviously aware of and collecting these artist like any other major European nation. (Even though the Museum has recently undergone a significant renovation, it has not yet put these works online.)

Unknown Portuguese sculptor (Eighteenth Century) Santo Onofre or Saint Onuphrius (Eighteenth century) Wood and glass. Museum of Ancient Art, Lisbon.

Unknown Portuguese sculptor (Eighteenth Century) Santo Onofre or Saint Onuphrius (Eighteenth century) Wood and glass. Museum of Ancient Art, Lisbon.

On the Wednesday afternoon I visited, there were more guards than visitors. As a result, I had the Museum to myself. Each work of art was mine alone. If you are in Lisbon, it may not be in your tourist guidebook; but, for art lovers, it offers the opportunity to discover remarkable, no-where-else-to-be-seen artworks and level of intimacy with them that is usually reserved for the royalty that commissioned them. (To see all the images I took, visit my Flickr photo set here.)

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3 Comments to “Visiting Lisbon’s Museu Nacional de Arte Antiga”

  1. hels says:

    Sometimes our best finds are accidental. You described the museum as featuring works that cannot be seen any where else by well-known, canonical Flemish, Dutch, Spanish and Italian artists. That would appeal to me enormously, but I can see why not too many other people were there, while you were wandering around the museum rooms.

    I accidentally came across The Sintra Museum of Modern Art, just outside Lisbon. The Berardo Collection of Modern and Contemporary Art is an important international collection of 20th century European and American art, but who would know about it?.

    Hels
    http://melbourneblogger.blogspot.com/2011/01/pena-national-palace-near-lisbon.html

  2. Mafalda says:

    It’s done by the sculpture José de Almeida. Kiss

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